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Literature Text
She is the fisherman's hook--
lazily beautiful, curled
like a beckoning finger
and slung into a grey-green fog.
She is motionless, waiting
like a praying mantis--
like a bird shot dead, hanging in the air,
waiting for time to snatch it away.
The fish catch clumsily,
blindly drawn to her steely curves:
she is a scythe, hidden
in a cold, rippling body.
Touch me. Then a sudden heave;
panic--lifted--exposed
to taut, dry air.
Hooked.
lazily beautiful, curled
like a beckoning finger
and slung into a grey-green fog.
She is motionless, waiting
like a praying mantis--
like a bird shot dead, hanging in the air,
waiting for time to snatch it away.
The fish catch clumsily,
blindly drawn to her steely curves:
she is a scythe, hidden
in a cold, rippling body.
Touch me. Then a sudden heave;
panic--lifted--exposed
to taut, dry air.
Hooked.
Literature
Cuts
Dyke.
Fag.
Queer.
Words I've come to know as name.
They jeer and they push and they taunt.
I give them no tears, no blood, no hurt.
I remain as sturdy as stone.
Underneath I am crumbling.
Do they know each word is a cut?
A mentally inflicted wound?
With every sharp letter,
I am left with another hurt to heal.
What does it matter?
Why should I care?
Their ignorance should not bother me.
But it does and it will, forever.
I am still a person.
Still worth the attention and voice of any other.
But they don't care.
I'm worthless, useless, beneath them.
I'm gay.
Literature
Quote
Why are you crying?
**I've lost something**
What did you lose?
**nothing becasue it never existed in the first place**
Than why are you sad?
**becasue nothing was everything I had**
Literature
Scars
I didn't do it to hurt you
Or to make you mad at me
I didn't do it to show you
The emotional side of me
I did it only to remind me
Of things that shouldn't be
Of pain I've had
Of love I've lost
And what someday
Will be
The scars I hide
For none to see
Are worse than these my dear
And in my heart
The scars I hide
Are the only thing I fear
Suggested Collections
Just a quicky. I wrote the original version of this a while ago and made it a visual poem using some photographs, but I've now come back to it and changed the fundamental 'message' by adding and removing some parts. I might make another visual from it in the upcoming holiday - who knows?
Probably needs workshopping, but it's nothing special.
Edit - Changed the second stanza completely. I think the ending still needs some work, but I'm reluctant to cut off the stanza entirely. Comments?
Edit no.2 - Added an extra line break in the middle of the first stanza to create two seperate ones, as per =MSJames' suggestion. I did the same thing to the final stanza; I think I prefer it that way.
Probably needs workshopping, but it's nothing special.
Edit - Changed the second stanza completely. I think the ending still needs some work, but I'm reluctant to cut off the stanza entirely. Comments?
Edit no.2 - Added an extra line break in the middle of the first stanza to create two seperate ones, as per =MSJames' suggestion. I did the same thing to the final stanza; I think I prefer it that way.
© 2006 - 2024 the-beastie
Comments24
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Your first strophe is great. So's the last. Just a couple tiny things in this bit, which imo could do with just a little tweaking. Here's my thoughts on it:
She is motionless, waiting ~(('motionless, waiting' is kinda dull. Words like 'poised' are sonically more interesting and verbally simpler.))
like a praying mantis— ~((if you choose a to replace the gerund of 'waiting' with a verb, might you consider: 'as' a prying mantis?))
like a bird shot dead, hanging in the air,
waiting for time to snatch it away. ~((or a bird?))
I just felt the repetition and dullness of 'like a' here disturbed the lovely sonics present in the first strophe, sounded bit clunky.
The fish catch clumsily,
blindly drawn to her steely curves: ~((not fond of the adverbs, too many weak 'ly' sounds. 'Blindly' seems a bit redundant', and weakened the allure of those 'steely curves' -- though isn't there any bait on the hook?))
- Sal
She is motionless, waiting ~(('motionless, waiting' is kinda dull. Words like 'poised' are sonically more interesting and verbally simpler.))
like a praying mantis— ~((if you choose a to replace the gerund of 'waiting' with a verb, might you consider: 'as' a prying mantis?))
like a bird shot dead, hanging in the air,
waiting for time to snatch it away. ~((or a bird?))
I just felt the repetition and dullness of 'like a' here disturbed the lovely sonics present in the first strophe, sounded bit clunky.
The fish catch clumsily,
blindly drawn to her steely curves: ~((not fond of the adverbs, too many weak 'ly' sounds. 'Blindly' seems a bit redundant', and weakened the allure of those 'steely curves' -- though isn't there any bait on the hook?))
- Sal